Simon Read Middlesex University Research Activity
Some people cannot wait to get away from work, but for Middlesex’s Simon Read the world of art, life and work all seem to overlap perfectly into Venn diagram-like circles. For the senior lecturer in Fine Art lives on “Jacoba” a seagoing barge on the River Deben in Suffolk that inspires much of his creative flow and art, whilst working with his local community to monitor environmental impact on their surrounding landscape.
As an artist with experience across several media, Read delights in the doors that his research life at Middlesex opens up for him. “My academic work gives me access to a much wider range of interdisciplinary collaboration,” he explains. “The university network has helped me greatly with my work. I have been looking at ways in which the arts can be factored into the debate on environmental change – routinely that’s considered to be the preserve of the environmental sciences, social sciences, physical sciences and engineering, which precludes the arts or cultural sector. My point is that our understanding of where we are – landscape, land and so on – is very much a cultural construct and is one that we’ve inherited from the 18th century if not before.”
Read feels it is important for artists to see if there is a way to become ‘usefully’ engaged in the conversation. Through having a way of life afloat, that conversation has become tinged by an understanding of the increasing volatility of coastal and estuarine systems, and sensitivity to their well-being, and the need for well-integrated management solutions.
The artist now works with communities to help foster an understanding of that coastal and estuarine change. It’s an instance of research as artistic practice, with a very decided impact on the community. “An integral part of this process has been the creation of large ‘map works’ as a means of not only reflecting on the dynamic of coastal systems but also as a means of visualising environmental change,” he explains. “Because of the need to work with other disciplinary communities who configure ideas and information as statistical data and enquiry as problems to be solved, an artist involved in this arena often starts at a disadvantage in terms of professional credibility; however, with the university behind me, I can engage in a lot of stuff that otherwise I wouldn’t be able to and widen the community that I can engage with.”
Read recently helped design and build “A Tidal Protection Barrier for Sutton Saltmarsh”, a project comprising a 100m timber, geogrid and brushwood structure, built to mitigate the effects of the tide upon an eroding saltmarsh. He worked in collaboration with Andrew Hawes Associates, Hydraulic Engineers and was funded by Suffolk Coast and Heaths AONB Sustainable Development Fund, River Deben Association and The Woodbridge Society. The barrier was built with support from HMP Hollesley Bay Colony (which helps prepare prisoners reaching the end of their sentences for life in the outside world) and other voluntary help.
“It is important for artists to be involved in the discussion but they must also get their hands dirty,” he says.